Martin Creeds metronomer genoptager tråden fra tidligere musik-motiviske værker, som ved siden af dyremotiverne også er stærkt repræsenteret. Jeg spekulerer over om det kan hænge sammen med den klassiske forbindelse mellem skulptur og tavshed, hvilket måske gør det fristende at undersøge, som man muligvis begynder på omkring futurismen så vidt jeg er orienteret, hvad der sker når skulpturen gøres hørbar. Men faktisk handler Creeds objekt slet ikke om lyd eller musik, men om taktslag, der ligger mellem eller bag om lyden. Ligesom skulpturen.
Da Cunha dyrker et andet og mere kantet hjørne af computeræstetikken end Lee Bul, som vi tidligere har set på. Jeg fortolker værket som et møde mellem den 80'er-hippe vektorgrafik og et arkaisk-ægyptisk formsprog, to umiddelbart uforenelige morfologier - foranderlighed kontra evighed - som har blidt falder på plads. Men det er ikke en sfinx vi ser, derimod nok mere to abeagtige væsner. Men jeg synes ikke motivet virker overbevisende som form, det sætter ikke noget igang. Mht. materiale kunne vi også være ude i fedtsten (jeg har engang købt en lille drage i fedsten i den kinesiske butik).
Creed. For det lukkede rum af bevægelsmulighed. Værket peger på sin egen umulighed, nemlig at bevæge sig ud af, hver gang det forsøges bliver det irettesat. Som tre rip, rap og rup, der alle er fanget i sin egen form og mekanik, men som ikke engang kan kommunikere omkring det.
(Vi er alle dømt til at være i vores egen form.)
hi i'm tiago. i'm happy that u posted an image of my work on yr blog! shame i can't understand danish... i tried running the page thru an online translator, but that didn't work very well. i could only make out a question regarding what material the piece was made of, to which the answer is: cast poliurethane resin, hand-finished. anyways, congratulations on yr blog, it has a lot of interesting work. i recently started a blog of my own (let's see how long that lasts...) and u r all welcome to take a look:
tiagocdc.blogspot.com
best wishes
tiago carneiro da cunha
You're welcome! We've discussed writing in english, but decided against it, because one of our goals, I guess, is to further the interest in contemporary sculpture here in Denmark. But anyway, thanks for your interest!
To all the people out there who don't speak danish I can tell that this blog has actually moved to http://www.skulptur2.smartlog.dk, due to some annoying technical problems. Feel free to give your vote and comment on the works in any language you like!
På http://www.skulptur2.smartlog.dk overvejes det at indføre pauseskulptur mellem udvalgte heats. Hvis jeg kunne indsætte en stemmeboks her ville jeg have lavet en meningsmåling om det nu også er en god idé.
There is certainly so significantly data all around about this subject matter that sometimes you cannot see the wood for the trees but you might have pitched this at just the suitable level so that the lay individual can understand - thank you!
That is exactly what I am lookng for!You have done a brilliant job. Your article is truly relevant to my study at this moment, and I am really happy to read it.
That is exactly what I am lookng for!You have done a brilliant job. Your article is truly relevant to my study at this moment, and I am really happy to read it.
10. jun 2007 15:29
Martin Creeds metronomer genoptager tråden fra tidligere musik-motiviske værker, som ved siden af dyremotiverne også er stærkt repræsenteret. Jeg spekulerer over om det kan hænge sammen med den klassiske forbindelse mellem skulptur og tavshed, hvilket måske gør det fristende at undersøge, som man muligvis begynder på omkring futurismen så vidt jeg er orienteret, hvad der sker når skulpturen gøres hørbar. Men faktisk handler Creeds objekt slet ikke om lyd eller musik, men om taktslag, der ligger mellem eller bag om lyden. Ligesom skulpturen.
10. jun 2007 20:02
Carneiro Da Cunha er min favorit; er det lækre materiale mon bivoks eller stearin?
10. jun 2007 20:30
Da Cunha dyrker et andet og mere kantet hjørne af computeræstetikken end Lee Bul, som vi tidligere har set på. Jeg fortolker værket som et møde mellem den 80'er-hippe vektorgrafik og et arkaisk-ægyptisk formsprog, to umiddelbart uforenelige morfologier - foranderlighed kontra evighed - som har blidt falder på plads. Men det er ikke en sfinx vi ser, derimod nok mere to abeagtige væsner. Men jeg synes ikke motivet virker overbevisende som form, det sætter ikke noget igang. Mht. materiale kunne vi også være ude i fedtsten (jeg har engang købt en lille drage i fedsten i den kinesiske butik).
10. jun 2007 21:13
Creed. For det lukkede rum af bevægelsmulighed. Værket peger på sin egen umulighed, nemlig at bevæge sig ud af, hver gang det forsøges bliver det irettesat. Som tre rip, rap og rup, der alle er fanget i sin egen form og mekanik, men som ikke engang kan kommunikere omkring det.
(Vi er alle dømt til at være i vores egen form.)
1. jul 2007 04:41
hi i'm tiago. i'm happy that u posted an image of my work on yr blog! shame i can't understand danish... i tried running the page thru an online translator, but that didn't work very well. i could only make out a question regarding what material the piece was made of, to which the answer is: cast poliurethane resin, hand-finished. anyways, congratulations on yr blog, it has a lot of interesting work. i recently started a blog of my own (let's see how long that lasts...) and u r all welcome to take a look:
tiagocdc.blogspot.com
best wishes
tiago carneiro da cunha
1. jul 2007 12:13
You're welcome! We've discussed writing in english, but decided against it, because one of our goals, I guess, is to further the interest in contemporary sculpture here in Denmark. But anyway, thanks for your interest!
1. jul 2007 12:36
To all the people out there who don't speak danish I can tell that this blog has actually moved to http://www.skulptur2.smartlog.dk, due to some annoying technical problems. Feel free to give your vote and comment on the works in any language you like!
6. jul 2007 00:41
På http://www.skulptur2.smartlog.dk overvejes det at indføre pauseskulptur mellem udvalgte heats. Hvis jeg kunne indsætte en stemmeboks her ville jeg have lavet en meningsmåling om det nu også er en god idé.
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There is certainly so significantly data all around about this subject matter that sometimes you cannot see the wood for the trees but you might have pitched this at just the suitable level so that the lay individual can understand - thank you!
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